Tuesday 30 December 2014

New Audio: Arun Rath interviews Salena Godden 'All Things Considered' on NPR





Growing up in 1970s England, Salena Godden stood out. Her mother was Jamaican and her father was an Irish jazz musician who mysteriously disappeared from her life when she was very young.

In her memoir, Springfield Road, the writer, poet and musician tells the story of finding her personal identity, beginning with the word she made up to describe her race: Jamish.

"It's kind of ... a mix of being Jamaican, Irish, English," she tells NPR's Arun Rath. "It's the name I gave myself."



Springfield Road is published by Unbound Books


Monday 22 December 2014

Monday 8 December 2014

What do you want? You want the moon?


Massive thanks and love to all who made it down to 
THE BOOK CLUB BOUTIQUE: WOMEN IN PRINT  


We had such a wonderful and inspiring time  
Scroll down and I'll post a few party snaps below.
Thank you to all who made it down, so many beautiful people! 
and all who came and participated in the open mic! BCB love you!
Keep an eye on #womeninprint hashtag on twitter for more news and good stuff...

The Book Club Boutique will return 4th February 2015 at Vout O Reenees 
Please come and find us there and then!
We wish you all a very merry Christmas and a happy new year.
2014 was AMAZING! 
2015 we are coming to get you!



I have about five more gigs to do and then I am done for 2014! Woop! This week I'm talking about Springfield Road with Arun Rath on USA's NPR All Things Considered Please tune in online or live on air if you are Stateside! Hello America! This is London Calling!
 
Also this week my filthy short story will be published by The Pigeonhole as part of their Sexstaves series. Wow what a trip, I feel a bit like this Alice In Wonderland gif right now. Thank you for all your generous support and for subscribing to 'Waiting For Godden' I hope to finish new work and hibernate and read books this winter ... but you never know what's around the corner. Thank you 2014, you were very cornery xx
 

Coming up dates and links:

December 9th: The Pigeonhole Launch Party / Zetter Hotel, Clerkenwell

December 10th: Burn After Reading / Seven Dials, Covent Garden  

December 11th: Book Signing, 6.30pm, Waterstones  Gower Street, Soho
 
December 12th: 'Dirty Pigeons' by Salena Godden published by Pigeonhole
 
December 15th: 451, Apples and Snakes / Nuffield Studio, Southampton

 
 
 
RADIO:
 
BBC R4:  'Loose Ends' feat. Salena Godden is available Here

BBC R3: 'The Verb' Viv Albertine, Hollie McNish, Salena Godden Mixcloud

BBC Scotland: Janice Forsyth 'The Culture Studio' Here

BBC R4: 'The Lost Legacy of Little Miss Cornshucks' itunes podcast here 


The Book Club Boutique #womeninprint party! — with Kirsty Allison, Kelli Ali, Carson Parkin-fairley, Isabel de Vasconcellos and Fran Isherwood at Vout O Reenees.

The Book Club Boutique #womeninprint party — with Jo Berlowbo at Vout O Reenees.

The Book Club Boutique #womeninprint party — with Rose Bretécher and Michelle Thomas at Vout O Reenees.

The Book Club Boutique #womeninprint party! — with Salena Godden and Heidi James-Dunbar at Vout O Reenees.






PRESS AND BLURB



3AM MAGAZINE: Sophie Parkin

Ideally these books should be read together.” 
Sophie Parkin reviews "The two sides of Salena."

"Salena can write you into a child’s heart and out of the mouth of a teenager’s inquisitive nature. She can wring the tears from jaded cynics and make you understand the unique and endless joy of roller-skates and bicycles as a pathway to freedom." Read more here


  

"Where do we start with how incredibly awesome Salena Godden is… We want to go on a pub crawl with her pronto and be led astray! Described as a ’21st Century female Bukowski’ her poems grab your heart and soul and make you want to call you friends immediately and reminisce about the wild parties, biggest loves and bad-ass hangovers (The Last Big Drinky is a particular highlight). These poems span twenty years of Salena’s career and the collection has a wonderful introduction detailing her rock and roll poetry career. Sit up and take note: Salena is an artist in every sense of the word, her passion and personality are bigger than the pages themselves…” Read more here



SPRINGFIELD ROAD
A MEMOIR BY
SALENA GODDEN


‘Honest, grippingly readable, funny and uplifting’

Maggie Gee, OBE

‘Her writing is urgent and detailed, colourful and clamorous.
Like all love stories, her memoir is intense, intimate...’

Iain Finlayson, The Times

As long ago as 2006, it was suggested to Salena Godden that she should write a memoir. The details of Salena’s early life – a mixed-race child brought up in England in the seventies and eighties, whose Irish jazz-musician father leaves home when she is three and kills himself when she is nine, her Jamaican mother’s second marriage to a violent stepfather – had all the potential for the making of a ‘misery memoir’, the kind that were riding high in the bestseller lists at the time.

 But Salena Godden is incapable of that kind of misery.  Joy and humour and love and tenderness just kept breaking through, and what resulted was Springfield Road – one of the most life-enhancing memoirs you will ever read.  Make no mistake, Salena does not shy away from the painful and the difficult episodes of her life, but she just can’t help herself also celebrating the ridiculous, the beautiful, the thousands of tiny unremembered acts of kindness and of love that are at once both personal and universal.

 Salena Godden has been described as ‘the doyenne of the spoken word scene’ (BBC’s Ian McMillan); ‘the Mae West madam of the Salon’ (The Sunday Times) and ‘everything the Daily Mail is terrified of’ (Kerrang! Magazine). She is known as The General of the Book Club Boutique, Soho’s louchest literary salon.
 Earlier this summer Salena published Fishing In The Aftermath / Poems 1994-2014, marking twenty years of poetry and performance (Burning Eye Books). Her illustrious career as a spoken word performer is legendary. In Springfield Road there is a glimpse of what drove her to become the brilliantly, exuberantly self-made artist that she is.
 As well as her writing and performing, Salena currently works with award-winning radio producer Rebecca Maxted. 'Try A Little Tenderness – The Lost Legacy of Little Miss Cornshucks' was aired on BBC Radio 4 in May and later on BBC World Service in September 2014 to great acclaim. In June, she read an extract from Springfield Road and contributed a poem to the much-lauded documentary ‘The History of the N-Word’ broadcast on BBC Radio 4.  Salena has been appearing on radio and also at festivals throughout the year including Latitude, Port Eliot, The Green Gathering, Wilderness, Festival No.6 and the ‘Dylan Weekend’ at Laugharne. You’ll find further appearances, gigs and radio work on her popular ‘Waiting For Godden’ blog and website.
For further information please contact Rachael Kerr at Unbound
Email: rachael@unbound.co.uk    




More press and reviews:

"Throughout, Godden writes about a past that is at once deeply personal yet also belongs to the everyman figure; her descriptions of childhood are simultaneously timeless and yet rooted in a particular period of British history…" Debjani Biswas-Hawkes, The Literateur   

"Salena Godden follows up her recent poetry anthology with a lyrical and witty memoir painting a portrait of the artist as a young girl. Springfield Road tells the wide-eyed tale of Godden’s childhood as the daughter of a jazz musician and a go-go dancer set against the lovingly rendered backdrop of 1970s Hastings.  Springfield Road’s prose wavers effortlessly throughout, from tender poignancy to raw, gritty realism and this lovely book serves to remind us that however much the world has changed in the last forty years, in many ways it is still exactly the same." Lee Bullman, Loud and Quiet Magazine

 "Salena Godden is an absolute master of, knowing your assumptions, playing to them, and then flipping them completely." Laura Taylor, Write Out Loud

''Salena Godden is a powerhouse.'  Nicole Capo, Sabotage Reviews




Tuesday 25 November 2014

The Cosmic Trigger Play by Daisy Eris Campbell



"The Cosmic Trigger Play is the back story to Illuminatus! Featuring the extraordinary life and times of its co-author, Robert Anton Wilson, the unstoppable force that was Ken Campbell, and some key scenes from 1976 stage production of Illuminatus! It is a fresh new script by Daisy Eris Campbell (Ken’s daughter) based on Wilson’s book Cosmic Trigger."

Wow! I have just woken up from a beautiful dream and am returning from a trip to the opening of The Cosmic Trigger Play which premiered this weekend in Liverpool. There was love in the room. My hours were jam packed with music and laughter and chaos and more laughter and fantastic dancing and conversation and colour and light and coincidences and collisions and joy. The conferestial included talks, cinema, art, performance and ritual, great thinkers, drinkers, authors, poets and comedians, like Robin Ince, Nina Conti, author CJ Stone, Seani Love's tantric sex workshop, Ways With Weirds and more, more, more...

This weekend has blown my tiny mind. The play was heroic. It was full on and glorious with juicy dialogue, epic meaning and messages and fantastic story telling, diving into the  details of the life and times of Robert Anton Wilson and the impact of Illuminatus! and the Cosmic Trigger. Daisy Campbell has made something truly magnificent. Daisy's own daughter Dixie was tremendous too, one to watch! The whole cast rocked the house, they smashed it, as the kids say, and I'm very proud to have been asked to participate and to be there with some of the greatest, weird and wonderful minds of my generation. 

I was invited me to leap out of a golden apple at the command of Eris, the Goddess of chaos and confusion, to perform 'I Want Love'. When I came off stage I was told I had just pulled my Cosmic Trigger. I have pulled something, everything hurts from laughing, my cheeks ache from grinning. I remember break dancing and doing roly-polys across the dance floor... And to top it all Daisy Campbell married Greg Donaldson and so the play-gig-festival-rave became a beautiful and touching wedding, followed by the happiest most joyous wedding party I have ever been to.

Cosmic Trigger Play is a speeding rollar coaster into colour and space, four hours of hallucination and imagination, magick and madness, from Sirius to the Occult, from Robert Anton Wilson to Timothy Leary to William Burroughs and Aleister Crowley and beyond. I massively recommend you find out more at www.cosmictriggerplay.com
 
Don't miss out and follow the #cosmictrigger hashtag on twitter! 

Get your tickets NOW and find the others - Hail Eris!
 

Daisy Campbell, Robert Anton Wilson played by Oliver Senton and Salena Godden
Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the others” – Dr Timothy Leary

Thursday 13 November 2014

November: Snap, crackle and pop!







We had a wicked and wonderful time last Wednesday at The Book Club Boutique Burning Eye Books Bonfire night party at Vout o Reenees! Thank you to Michelle Madsen for helping me host it and to all who were there. This is a lovely group photo of ten of my favourite poetry comrades and Burning Eye writers and poets, Rob Auton, Alice Furse, Joelle Taylor, Mab Jones, Daniel Cockrill, Dan Simpson, A F Harold, Michelle Madsen, Salena Godden and Clive Birnie the brains behind Burning Eye Books. Check out Burning Eye Books and make sure you are following and reading these ten very excellent poetry game changing super stars. The next Book Club Boutique is on Wednesday December 3rd! Please scroll down for more dates and links. Watch this page and the @bookcboutique tweets for the inside shizzle...




'Springfield Road' is out NOW! I'd like to say a huge heart-exploding THANK YOU for the personal messages I have been finding each day on this electronic beach. Almost every morning I'm waking up to find notes from school and college friends, some from poetry and writer comrades but mostly from strangers, telling me this book is reaching people: That some of you remember how it was, that this book reminded you of your childhood and that reading this you recalled some things you thought you had long forgotten. Some people have been reading it aloud with partners, which is just about as beautiful as it gets. Some of you found comfort in this book because you lost a parent or you missed your dad too. I will never be able to properly express how much these letters mean to me. Nothing has prepared me for people to like this book. Hundreds of you pledged to help get this book into print, but I have been so busy gigging and hustling and fighting my corner, fighting to be heard, I clean forgot how much the actual content of this work might effect people.

But for me the real hard work has only just begun. This past few weeks I haven't been feeling at all like a poet, I have been feeling more like a saleswoman. To jazz things up I pretend I am a sexy secretary. Out walking yesterday I found an Aladdin's cave stationers and my stationary cupboard is packed with new goodies enticing me to keep on, I found smashing coloured inks and beautiful envelopes to post books to potential reviewers. You see I have no choice but to just keep on, keeping on and plugging away. I'm told that it is tough and competitive out there in the book trade and especially this time of year. There is a groundswell of sensational memoirs, ghost-written memoirs, celebrity memoirs, rags-to-riches memoirs, rubber-neck misery memoirs and Christmas joke memoirs to compete with and and and... all this talk makes me work harder a bit like this:


 I just want to say three cheers to the kind book shop keepers who are stocking my books, thanks to the bloggers who are blogging and thanks for the full-house of fantastic 5-star reviews on Amazon. Also thanks to indie bookshops and the support shown from the likes of The Big Green Bookshop in North London and St Leonards Central in Hastings. Thank you all!
 
One of my favourite London gigs are the good comrades at Bookslam. I was delighted to take part in a sell-out event at The Clapham Grand last month (pictured below). It was a phenomenal line-up of powerful women, raising money and awareness for Womens Aid and hosted by the brilliant comedian Felicity Ward. It was an amazing evening, you can hear the audio  on my mixcloud here

BOOKSLAM AT THE CLAPHAM GRAND
And meanwhile back at HQ...

Unbound launched the #womeninprint campaign.  
Bravo! Here's to more power and more diversity, more colour and flavour and voice. I have to say I don't usually like gangs and cliques and labels and boxes. I have always been happy here, playing the outsider and playing by my own rules - but this isn't about tokenism or girls in the corner of the playground asking to get passed the ball - This is about redressing the balance and it is so important and valid. 

Put quite simply - If we don't have more books by women published we only share half of our heritage. Our literary history and our stories and memories will be predominantly narrated and imagined by the great white male and all the other colourful fish, stories and experiences, remain ignored, silenced and invisible. Please follow #womeninprint on twitter and lets support each other and work together to get more voices heard, more women in print and in the bookshops.


This week, I completed a commission to write an erotic short story for The Pigeonhole as part of their #sexstave series. The Pigeonhole is a great way to access short stories and read great books in weekly instalments. I think my story is launched on December 12th. And needless to say it is very naughty. The Pigeonhole is a brilliant new platform for both readers and writers, please check it out for yourself here

And last but not least...
I've been longlisted for the Transmission Prize. I haven't been on a list or nominated for a prize ever before. It is exciting to be included, have a look here, I'm in such wonderful company. Thank you Salon London




Some of the latest press and reviews:

The Literateur"Throughout, Godden writes about a past that is at once deeply personal yet also belongs to the everyman figure; her descriptions of childhood are simultaneously timeless and yet rooted in a particular period of British history…" Debjani Biswas-Hawkes   read more here

Something Rhymed: We asked authors Maggie Gee and Salena Godden to tell us about their similarities and differences, and the role in their friendship of the written word. read more here


Loud and Quiet Magazine: "Salena Godden follows up her recent poetry anthology with a lyrical and witty memoir painting a portrait of the artist as a young girl. Springfield Road tells the wide-eyed tale of Godden’s childhood as the daughter of a jazz musician and a go-go dancer set against the lovingly rendered backdrop of 1970s Hastings.  Springfield Road’s prose wavers effortlessly throughout, from tender poignancy to raw, gritty realism and this lovely book serves to remind us that however much the world has changed in the last forty years, in many ways it is still exactly the same." Lee Bullman

Write Out Loud: "Salena Godden is an absolute master of – knowing your assumptions, playing to them, and then flipping them completely." Laura Taylor


links and dates for the diary:
  
November 22/23rd: Cosmic Trigger with Daisy Campbell, Liverpool 

December 3rd: THE BOOK CLUB BOUTIQUE / Vout-O-Reenees

December 9th: The Pigeonhole Launch Party / Zetter Hotel, Clerkenwell

December 10th: Burn After Reading / Seven Dials, Covent Garden  

December 11th: Unbound at Waterstones / central London / details tbc..

December 15th: 451, Apples and Snakes / Nuffield Studio, Southampton

BBC R4's  'Loose Ends' feat. Salena Godden is available Here

BBC R3 'The Verb' Viv Albertine, Hollie McNish, Salena Godden on Mixcloud

BBC Scotland in conversation with Janice Forsyth in the 'Culture Studio' Here

BBC R4 'The Lost Legacy of Little Miss Cornshucks' itunes podcast here 




Autumn is gold outside and it is beautiful.
I'm going to the park to paddle in puddles now!
Thank you for subscribing to 'Waiting For Godden'
If you are reading this and enjoying it
Please tell your friends and share the link www.salenagodden.com



Wednesday 8 October 2014

'Springfield Road' book launch party, gigs and radio in pictures...


Last Wednesday Vout-O-Reenee’s hosted the London booklaunchparty for Springfield Road to thank the hundred’s of people who pledged and supported this ‪#‎crowdfunded‬ book. Wow! Thank you!  Thank you to Maggie Gee and Rachael Kerr who gave epic speeches and made us all craugh. We sold lotsandlots of books and danced and drank and well you can see the evidence below, here's a scrapbook from the SPRINGFIELD ROAD booklaunchparty! 

This week I was on Loose Ends for BBC Radio 4 with Clive Anderson, David Morrissey, Andy Hamilton, Benjamin Zephaniah, Paul Heaton and Jacqui Abbott, and Arthur Smith. I read from Springfield Road. Find it on your iplayer: http://www.bbc.co.uk/programmes/b04k402y

"@ArfurSmith I spent the afternoon with my mother taking it in turns to read aloud from your book. It is enchanting"

I had a wonderful time in Wales last weekend where I was reading from Springfield Road at The Laugharne Weekend / The Dylan Weekends. There was much Dylan Thomas spirit and japes. I was honoured to meet and interview the wonderful Francesca Martinez. I love Wales, beautiful people and lush landscapes and skies. Below I've included a few pics of Laugharne, Dylan Thomas's writing shed, his pants and his final resting place. Beautiful! Next stop Bookslam then the Reading Comedy Festival, please scroll down to see pics and links and more and thank you for subscribing to 'Waiting For Godden' xxsg
 
 

October 11th: NTS Radio with Angry Sam


November 5th: The Book Club Boutique / Bonfire night Burning Eye party

November 22/23rd: Cosmic Trigger with Daisy Campbell, Liverpool


Maggie Gee and Rachael Kerr

Maggie Gee and Rachael Kerr

Maggie Gee

Maggie, Rosa, Rachael and Salena Godden

Maggie, Rosa, Rachael and Salena Godden

Isabel Adomakoh-Young, Salena Godden, Bishi Bhattacharya and MissLouisa Young 

Gus Godden and Salena Godden

Gus Godden and Salena Godden

 Jon More (Coldcut) and Salena Godden

Bishi Bhattacharya and Christine Lockhart

Christine Lockhart, Salena Godden and Samantha Love

Debbie Kilbride, Gus Godden and Springfield Road

Sabrina Mahfouz & Salena Godden

Glen Duncan, Rowan Pelling and Salena Godden


Salena Godden and Tim Wells

MissLouisa Young, Salena Godden, Rachael Kerr and Isabel Adomakoh-Young

Recording 'Loose Ends' BBC Radio 4  at BBC Radio Theatre.

 Benjamin Zephaniah, Springfield Road and Salena Godden at BBC Radio Theatre.

 Benjamin Zephaniah, Springfield Road, Salena Godden and ARTHUR SMITH at BBC Radio Theatre.
Recording 'Loose Ends' BBC Radio 4 — with Clive Anderson at BBC Radio Theatre.
ARTHUR SMITH and Springfield Road at BBC Radio Theatre

Paul Heaton, Jacqui Abbott and The Beautiful South at BBC Radio Theatre

David Morrissey at BBC Radio Theatre


Dylan Thomas's writing shed

The brilliant Niall Griffiths reading at Laugharne


Interviewing Francesca Martinez at Laugharne


Dylan Thomas pants, Laugharne

Beautiful Wales


'Somewhere In This City' was published in The Morning Star

"We haven’t met but I can picture you 
and a huge stack of unopened envelopes…" 

‘Somewhere In This City’ is the opening poem in the 'Fishing In The Aftermath'  collection by Salena Godden published in July 2014 by Burning Eye Books,  
Well Versed is edited by Jody Porter. Thanks Jody!



NEW! THIS WEEK! 
'Fishing In The Aftermath' Sabotage Reviews

“‘Fishing in the Aftermath, Poems 1994-2014’ is a non-linear labyrinth exposing the vulnerability of a girl-turned-poet at the turn of the century, both in modern-day England and in post-9/11 New York City. It’s a melodic and unguarded coming-of-age story filled with moments of anger, sadness, friendship, loneliness, and red-hot passion. To say that Godden’s work is a reflection of a youth well spent in search of a higher meaning as an artist is an understatement — Her commitment to her work is refreshing in its honesty, and her decision to divulge the difficulties of the writers’ life rather than gild it in beautiful words as some do is immensely satisfying.”